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by Michael Pasquarello III D’83
My desire is neither to find fault with nor pass judgment
on Mel Gibson’s intention or sincerity in producing
The Passion of the Christ. In fact, I am thankful he went
public with his witness to the Christian faith. Despite the
disagreements we may have with his interpretation of the
Gospel, he appears to have struck a rather deep chord in
the religious sensibilities—both pro and con—of our culture.
My concern, however, is the way Christian leaders
and congregations are responding.

Photo By: Philippe Antonello
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Mel
Gibson directs JIm Caviezel, who portrays
Christ. |
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Many churches in my community of Lexington, Ky.,
were quick to capitalize on the publicity surrounding the
movie’s Ash Wednesday premiere. Some mailed materials
offering to introduce curious seekers to the “meaning
of the Cross.” Others scheduled sessions to “explain
The Passion” or sermon series that promised to help
the public “Experience The Passion!”
But the congregation that attracted my attention was the
downtown Catholic Cathedral. On the opening day of the
film, the bishop led an opening prayer at the theater. After
the movie, he led the faithful to their sanctuary to celebrate
the Ash Wednesday liturgy, publicly acknowledging their
sinfulness and mortality, and their utter dependence on the
mercy of God in both life and death. Perhaps, for them, the
movie was only a preview of the service, the story they
were about to perform as God’s people.
What a novel concept! What a stark contrast to much
talk about “explaining” or “experiencing” The Passion.
This is quite different from what seems to characterize
much of Christianity in North America: a highly individualistic,
“spiritual” transaction that takes place with Jesus in
the private spaces of one’s heart. Now that we have the cinema
version of the Gospel, these Christians might ask, is
there any need for the church and its sacraments, Scripture,
creed, liturgy, tradition? Or even the clergy? (And what a
pity the Apostle Paul did not have access to this film; it
would certainly have spared him a lot of grief. He could
have simply mailed out the DVD version and saved all the
misunderstanding created by his constant talking about the
Cross, a crucified Messiah, the “Foolishness of God.”)

One of the most controversial and
highest-grossing movies of all time,
The Passion attracted moviegoers by
the millions, including congregations
who reserved entire theaters.
Read responses to
the film by four Duke divinity faculty
members – two who watched the movie
and two who chose not to view it.
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I am all for making public the story of Jesus, but my
deep desire is for much more than another Hollywood
version of the story. What I am looking and longing for,
and what I suspect the world might be waiting for, too,
is what God has promised through the life, death and
resurrection of Jesus: a living, breathing community of
the Cross that not only tells but lives the whole story of
the Gospel; a church that embodies the wisdom of God
disclosed in the passion, being conformed to the teaching,
faithful obedience, suffering and death of Jesus
Christ, the Son of God.
Recently, a pastor in our community advised his congregation
of the urgent need for Christians to use The
Passion as a “tool for evangelism” since cinema is the
predominant language of our culture. Yet I question
whether we should move so quickly to accommodate
the culture and its modes of communication.
As Christian people, we keep time according to the
story of Jesus Christ, and by the grace of God, we are
empowered to live
into the Gospel so as
to become its actors
and participants, a
people who in our
Baptism have been
united with Christ in
his death and resurrection.
It is the language
or speech of
God, rather than the
language of culture, that
provides our starting
point for thinking about
these matters. And while
it is true that culture
speaks powerfully
through cinema, God
continues to speak a living
Word with power to
affect what is spoken: “But we preach Christ
crucified.”
Perhaps before reaching out to the un-churched, we
might begin by contemplating the message of the Cross,
listening afresh to the Apostolic witness, discerning
where the shape of our congregations are less than cruciform,
asking how our corporate life fails to reflect the
power and wisdom of the Crucified One.
Might our most faithful witness be to confess and
repent of our complicity—past and present—with the
power and wisdom of the world that crucified Jesus?
Perhaps our most powerful witness would be to acknowledge
our place in the story with those who are in need of
being saved, rather than with those who are in charge.
St. Paul provides an interesting perspective on the matter
of witness in I Corinthians 4. Offering himself as an
example, he calls the church to follow his lead as teacher,
mentor and guide. “… God has put us apostles at the end
of a procession, like those condemned to death in the
arena. We have been made a spectacle to the whole universe
… I urge you to imitate me.”
It is not the story of the Gospel that must be displayed
for public viewing; rather it is God’s people, we whose
identity is being shaped by the power and wisdom displayed
in the Cross. We are God’s spectacle, called to
proclaim and perform the Gospel story so that the world
might not only hear and see; but with us become signs
of God’s Good News. 
Michael Pasquarello III D’83, is a professor at Asbury
Theological Seminary, Wilmore, Ky., and a United
Methodist who has served congregations in Raleigh,
Durham, Grifton, and Wilmington, N.C.
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